
Dear Pearl members and friends.. a reminder that we are having a party to celebrate our successful move to the new location, on Tuesday March 23rd from 1pm SL time until later. We hope to see you there!
Dear Gentlemen, This publication will tell you facts news and other ditties about the world of the online Victorian Gentlemen's Club "The Pearl". Checking these pages regularly will keep you in the know of all the public events of the Pearl, so that you won't miss a glimpse of those dazzling ladies and their bright conversation !

Fact is, Marguérite Gauthier was based on the life and death of a real courtesan. Her name was Rose Alphonsine Plessis, born in 1824 and died, of consumption, in 1847, only 23 years old. Dumas published his book in 1848, no coincidence. He was genuinely shocked by the lady's death and felt remorseful for his absence at her death bed. Remorse, because Rose and he were once lovers and they still were friends after the breakup. Unmentioned in the book, the later shining courtesan had a squalid youth, with a poor, drunk and violent father, who abused his two daughters, and more then likely prostituted them too. It could have ended with that, and Rose would have disappeared into the nameless legion of street prostitutes, but before she reached the age of 15 she ran away to Paris. She took the "stagename" Marie Duplessis (the "Du" before her family name to suggest noble descent) and was quickly noticed for her beauty, as testified by drawings and paintings that were made of her when she had become famous. She quickly collected a string of lovers, of ever increasing station, who were able to finantially support her ravenous apetite for shopping, at least for some time.
Marie returned to Paris, quickly gaining a new band of devoted lovers, reputedly the composer Liszt amongst them. Eventually she married one of her lovers, count Édouard de Perregaux. Soon after the marriage, the disease that would kill her took hold. At her deathbed, her maid, her husband and her former lover count Von Stakelberg were present. Dumas was not in France at that moment, and learned of her death months afterwards. The rest was history.
To the Ladies and Gentlemen of the Pearl, and residents and visitors of Victoriania;
We remember from the first example of Ovid's art, published not long ago, that his devotion to Corinna was anything but platonic. I deliberately chose that poem to make it clear to anyone, that his poetry may seem akin to the musings of medieval troubadour love ideals -and the Victorian romanticism they inspired- but that the spirit of his poems probably spark more recognition with minds tuned in to depravity. Which is odd, as the ideal of Courtly Love did look for its justification in Ovid's lines. And indeed, in some nice elegies he does seem to put the object of his adoration on a pedestal. One cannot help but to be tricked by this, but make no mistake : Ovid was a playboy, and lust his prime motivation.